Kelly and Dermot consider, Stephen’s decision to leave the Martello Tower, his struggles as a would-be artist in the colonial landscape of Edwardian Dublin, his fear of dogs, the protean process of death and decay, what the heck a grike is, why Sir Lout talks like that, how to pronounce “gunwale,” some more meditations on death and decay, and who the two maries are.
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Further Reading:
Budgen, F. (1972). James Joyce and the making of Ulysses, and other writings. London: Oxford University Press. Retrieved from http://digicoll.library.wisc.edu/cgi-bin/JoyceColl/JoyceColl-idx?type=header&id=JoyceColl.BudgenUlysses&isize=M
Gifford, D., & Seidman, R. J. (1988). Ulysses annotated: Notes for James Joyce’s Ulysses. Berkeley: University of California Press. Retrieved from https://tinyurl.com/vy6j4tk
Ellmann, R. (1972). Ulysses on the Liffey. Oxford University Press. Retrieved from https://archive.org/details/in.ernet.dli.2015.65767/page/n39
Joyce, S. (1958). My brother’s keeper: James Joyce’s early years. New York: The Viking Press.
Nicholson, R. (2015). The Ulysses guide: tours through Joyce’s Dublin. Dublin: New Island Books.
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