Ep. 49 – O, My Dimber Wapping Dell

Irish Travellers’ decorated caravan, 1954, National Library of Ireland archive

White thy fambles, Red thy gan!

Wait, what?

Find out what this phrase and much more means in this episode as we continue our discussion of “Proteus,” the third episode in James Joyce’s Ulysses. Topics covered in this show include: what Stephen means by “red Egyptians,” background on the Romani and Irish Travellers, Stephen’s class insecurity, Terry Pratchett’s Mort, strolling morts more generally, the distinct language of Romani and the Travellers,  The Our Father in Shelta, the secret language of thieves in 17th c. England, strolling morts, The Rogue’s Delight, she-fiends, bawd pimps, whores, an example of too-polite annotations, Stephen’s morose delectation, Thomas Aquinas’ nicknames, and Stephen’s realization that all words are his comrades.

Ep. 48 – Haroun al-Raschid’s Melons

Psychopomp

Kelly and Dermot take a look at Stephen Dedalus’ prophetic dream in “Proteus.” Topics discussed include James Joyce’s fascination with dream analysis, Stephen’s connection to the mysterious Akasic record, Dermot’s own experience with slippery time, the location of the “street of harlots” in Dublin, how Leopold Bloom and Haroun al-Raschid are connected, Orientalism, almosting, and prolonged provocative melonsmellonous osculation.

You can hear our episode about translating Finnegans Wake into Japanese here.

Ep. 47 – Tatters

Kelly and Dermot talk dogs, specifically Tatters, the dog encountered by Stephen on the strand at Sandymount. Topics include Joyce’s belief that the dog is the most protean creature, Tatters’ many forms on the seashore, cocklepickers then and now, seamorse, heraldry, Stephen’s many phobias, reincarnation, sea gods, the ninth wave, pards, the Buddha-nature of a dog, cameos by Nicolas Cage and Peter Falk, Tatters as a muse, Tatters as a Zen master, Stephen’s struggle with duality, Stephen’s creative inspiration, urination,  and why Dermot thinks the medievals are great (not stupid).

Ulysses & The Odyssey: The Lotus Eaters

“[Focusing in the Homeric parallels] is decorous when the Homeric theme is narcosis, but is apt to occur whatever the Homeric theme, and years of concentration on the large-scale patterns … have fostered an expositor’s Ulysses in which characters sleepwalk through a grand design… and very little happens save the display of eighteen successive tableaux vivants.” – Hugh Kenner

Part of an occasional series on the Homeric parallels in James Joyce’s Ulysses.

The Odyssey: Book 9

Odysseus and his men land on an island inhabited by the Lotus Eaters, a gentle people who only consume the fruit of the lotus plant. Those who eat the lotus fruit forget about returning home, preferring instead to hang out on the lotus island and eat lotus fruit. Odysseus drags his sailors weeping back to the ship and ties them to their oars in order to escape the Lotus Eaters’ island.

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While James Joyce gave the Lotus Eaters a full episode in Ulysses, Homer only gave them a short mention in Book 9 of The Odyssey, which is mainly about Odysseus’ misadventure with the Cyclops. “Lotus Eaters,” Ulysses’ fifth episode, has a bit of a reputation for being uninteresting, sort of a stop over before we get to some of the flashier episodes, the ones Joycean critics throw around phrases like “tour de force” when describing. Appreciating “Lotus Eaters,” then, is an exercise in appreciating  the mundane. In this episode, our modern Odysseus, Leopold Bloom, kills some time between preparing breakfast for himself, his wife and his cat, and the funeral of his friend Paddy Dignam. He goes to the post office, attends Mass, drops in at the chemist, and has a bath. All fairly normal ordinary activities, suffused in an airy haze. 

Ep. 46 – Paradise of Pretenders

Lambert Simnel carried on the shoulders of his (barefoot) Irish supporters.

Kelly and Dermot explore Ireland’s historic connections to various pretenders to the English throne, how this connects to Stephen’s unsquashable beef against Buck Mulligan,  Solange Knowles, medieval abstrusiosities of all sorts, the mystery of the princes in the Tower, Dermot’s disdain for the Tudors, whether or not Ireland is still a “paradise of pretenders,” Stephen’s sadness and guilt, his shadow projection, his hydrophobia, his relationship to his sister Dilly, and the drowning motif of Ulysses.

Ep. 45 – Bloomsday 2020

Happy Bloomsday, one and all!

Blooms & Barnacles presents our Bloomsday 2020 episode, a little Bloomsday party you can take anywhere you go.

Many friends and listeners came together to record their favorite passages from Ulysses, and we’ve compiled them into one, gargantuan Blooms & Barnacles episode.

Is Leopold Bloom Jewish?

It is odd that the creator of the most outstanding Jew in modern literature did not at that time know any of the Jewish community in Dublin. – Padraic Colum, p. 56, Our Friend James Joyce

Yes. Only a foreigner would do. The Jews were foreigners in Dublin at that time. There was no hostility towards them. But contempt, the contempt that people always show towards the unknown. – James Joyce, in the New York Times

It is a truth universally acknowledged that James Joyce’s modernist epic Ulysses tells the story of a Jewish Dubliner named Leopold Bloom. So famously Jewish, in fact, that Mel Brooks borrowed the name for the peevish accountant in The Producers. I say this because the title of this post may seem absurd on its face. “Of course Bloom is Jewish!” you may be scoffing. Before you turn to another blog, hear me out. Is Dublin’s most famous Jew not really Jewish?

Bloom’s father Rudolph was a Hungarian Jew, so most of the Jewish references swimming around Bloom’s mind have their origins in childhood memories of him. Jewishness is matrilineal, however, and Bloom’s mother, Ellen (née Higgins) was not Jewish. There is some speculation among folks who are given to speculate about such things that Ellen’s father, Julius Higgins, was also a Hungarian Jew and therefore Leopold is ¾ Jewish, though this is not explicitly backed up in the text of Ulysses. We know little about Julius Higgins other than that he was born Karoly. While this is a common Hungarian name, it doesn’t necessarily make him Jewish.  Regardless, even if Julius had been devoutly Jewish, his status alone wouldn’t factor into whether Leopold or Ellen were Jewish as he was a father and not a mother.

Ep. 44- Galleys of the Lochlanns

Kelly and Dermot set sail for the time of Vikings and jerkined dwarfs! They discuss the differences of similarly-shaped seafaring vessels, Lochlanns, Fr. Dineen’s Irish dictionary, the intersection of Viking and Celtic cultures in Ireland, torcs, tomahawk, the horrors of 14th c. Dublin, famine, plague and slaughters, the story of the time a pod of cetaceans washed ashore in medieval Dublin, the story of the time the Liffey froze over and people grilled on top of it, Stephen as a changeling, Stephen momentarily becoming displaced in time, and Stephen’s attempt to construct an Irish identity.

Steve Carey of Bloomsday in Melbourne drops by to chat about how to put on a Bloomsday theatre production in the time of Covid.

Ep. 42 – Under the Walls of Clerkenwell

An artist’s rendering of the Clerkenwell Explosion, 1867.

Dermot and Kelly take on some of the history behind the tale of Irish exile Kevin Egan. This episode’s discussion covers the story of the 1867 Clerkenwell explosion, what that has to do with Kevin Egan, Egan’s relationship to his wife and son, Dermot’s relationship to Tayto crisps, Egan’s memories of Kilkenny, the Berkeleyan quality of memory, more father-son angst, and a cautionary tale for young Stephen.

Bloom’s Potato

“On the doorstep he felt in his hip pocket for the latchkey. Not there. In the trousers I left off. Must get it. Potato I have. Creaky wardrobe. No use disturbing her.” Ulysses, p. 57

The episodes “Calypso” and “Telemachus” correspond roughly to the same point in Leopold Bloom and Stephen Dedalus’ day – 8:00 A.M., breakfast hour.  The beginning of their stories overlap in many ways, including that both Stephen and Bloom leave home that morning without their key. Stephen’s is “usurped” by Buck Mulligan, while Bloom’s is absentmindedly forgotten.  A relatable mistake to most folks – he changes his trousers for a funeral, but neglects to transfer all the contents, leaving his latchkey in the other pair. However, he is unwilling to go back upstairs and disturb a dozing Molly, and so he leaves to buy his kidney without the latchkey to the front door of his Ithaca. However, Bloom idiosyncratically remembers a seemingly odd and insignificant item – a shriveled, black potato. A peculiar and impractical object to carry in a pocket it would seem, but Bloom thinks as he leaves for Dlugacz’s “Potato I have.” Why in the world would a grown man carry a dried-out, old spud in his pocket?